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Shiv Kumar Batalvi
Shiv Kumar Batalvi (23 July 1936 – 6 May 1973) was a Punjabi language poet, who was most known for his romantic poetry, noted for its heightened passion, pathos, separation and lover's agony〔''(Handbook of Twentieth-century Literatures of India )'', by Nalini Natarajan, Emmanuel Sampath Nelson. Greenwood Press, 1996. ISBN 0-313-28778-3. ''Page 258''.〕 The Government of India posthumously awarded him the civilian honour of the Padma Bhushan in 2001.
He became the youngest recipient of the Sahitya Akademi Award in 1967, given by Sahitya Akademi (India's National Academy of Letters), for his epic verse play based on the ancient legend of Puran Bhagat, ''Loona'' (1965),〔(List of Punjabi language awardees ) Sahitya Akademi Award Official listings.〕 now considered a masterpiece in modern Punjabi literature,〔(World Performing Arts Festival: Art students awed by foreign artists ) ''Daily Times'', 16 November 2006.〕 and which also created a new genre, of modern Punjabi kissa.〔(Shiv Kumar ) ''The Tribune'', 4 May 2003.〕 Today, his poetry stands in equal footing, amongst that by stalwarts of modern Punjabi poetry, like Mohan Singh (poet) and Amrita Pritam,〔(Pioneers of modern Punjabi love poetry ) ''The Tribune'', 11 January 2004.〕 all of whom are popular on both sides of India-Pakistan border.〔(The Batala phenomenon ) ''Daily Times'', 19 May 2004.〕
==Biography==
Shiv Kumar was born on 23 July 1936 (though a few documents related to him state 8 October 1937) in village Bara Pind Lohtian, Shakargarh Tehsil, Sialkot District (now in Punjab province, Pakistan), to Pandit Krishan Gopal, village tehsildar in the revenue department, and Shanti Devi, a housewife.
In 1947, when he was aged 11, his family moved to Batala Gurdaspur district after partition of India, where his father continued his work as a patwari and young Shiv received his primary education.〔(Shiv Kumar Batalvi ) ''The Tribune'', 30 April 2000.〕 Allegedly, he was a dreamy child, often vanishing for the duration of the day, to be found lying under trees by the riverbank close to the Mandir or Hindu temple outside the village, lost in a brown reverie. He appears to have been fascinated by local renditions of the Hindu epic ''Ramayana'', as well as wandering minstrel singers, snake charmers and the like – which feature as metaphors in his poetry, giving it a uniquely rural flavour.
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